Rick’s kit continues to evolve, and is testament to what can be achieved using electronic drums in a rock setting. Regardless of the pad setup, Rick’s sounds are generated in software using Native Instruments Battery, while APTrigga handles the trigger conversion. Over the years, Rick has used numerous pad setups alongside acoustic shells and cymbals including Hart Dynamics, Pintech (including additional bar triggers), DDrum and Yamaha. The entire kit triggered samples on an Akai S900. These were set up to offer a snare, effects snare and two tom sounds which Rick could play with his left foot. Rick’s original setup for his return at Monsters Of Rock featured a series of Simmons SDS9 pads in place of acoustic shells, plus four Shark pedals placed to the left side of the kit. The result not only allowed Rick to continue playing, but helped widen awareness of what is capable from triggered drum sounds. The Def Leppard drummer was forced to rethink his approach to drumming in 1984 after losing his left arm in a car crash. But it certainly takes your drums to a whole other level live.” 5. “It’s been a work in progress because some of the first triggers weren’t really that great. Or I’ll just go with some really awesome tom samples so that there’s no open mics and I can have it as loud as I need it.” Rather than gating the s**t out of the toms because you’ve got open mics everywhere I’ll either mic them internally to cut down on feedback. “Same with the snare drum… and moreso with the toms. You can fake it with EQ, but when you add with the live microphones, you’re giving people bowel movements!” For instance on a bass drum that you’ve got sounding super-dope, I’ll add some super-low sine wave, 40-60hZ which just doesn’t come out of an acoustic drum. I enhance the acoustic sounds with triggers on each of the acoustic drums. Tommy told Modern Drummer in 2020: “I use a triggering system in the live format where you’ve got ginormous rooms and you’re competing with mad Marshall stacks and bass cabinets. Fast forward to the ‘90s, though, and Tommy’s love of hybrid hadn’t wained: his Methods Of Mayhem project leaned heavily on the use of loops and samples on record, with drummers Stephen Perkins, Morgan Rose and Will Hunt playing the electronic parts live. Tommy Lee was using electronics on his kit as far back as his original Mötley Crüe days, with Simmons pads and triggers on each drum (triggering samples housed on chips in a Linn 9000) during the Theater Of Pain tour.
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